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God Tussi Great Ho

Credits

Jeevi rating: 1.5/5 Punchline: director Tussi ungreat ho (to Salman Khan) Banner: Shabbo Arts Genre: Comedy  Cast: Salman Khan, Priyanka Chopra, Amitabh Bachchan, Anupam Kher,Rukhsar, Dilip Tahil, Satish Kaushik, Sanjay Mishra Music Director: Sajid Wajid  Lyricist: Jalees Sherwani, Shabbir Ahmed, Deven Shukla Story - screenplay - direction: Rumi Jaffery Producer: Afzal Khan Release date: 15 August 2008

Review

Story AP (Salman Khan) is a disgruntled man working as an anchor for a TV channel. He fails at whatever he attempts. And he always blames his bad luck on God's inefficiency. During the heights of his frustration, God (Amitab Bachchan) appears to him and tries to explain the rationale. But AP does not budge. Then God offers his position to AP for 10 days. After taking up the job of God, AP straightens his life by granting whatever he wished for in his personal life. The rest of the story is about how AP realizes that one has to put efforts and take care of himself instead of blaming God. Actors:  Salman Khan is pretty good as a disgruntled youngster. But he acts in a loud manner. Priyanka Chopra is good. Amitab Bachchan's cameo as God is nice. Anupam Kher is excellent as a nagging father who relentlessly offers a post in municipality to his son who worked for a TV channel. Sohail Khan tries to be funny, but his characterization is not appealing enough. Dalip Tahil is adequate. Rajpal Yadav entertains. Technical departments: Story - Screenplay - direction: The story is heavily inspired by Jim Carrey's Hollywood blockbuster Bruce Almighty (2003). Salman Khan, Amitab Bachchan and Sohail Khan did the roles of Bruce, God and Evan Baxter respectively. If Bruce Almighty is an elegant comedy film, God Tussi Great Ho is a loud comedy that tends to be cheap at times. Direction of the film is old-fashioned. Screenplay of the film is not good. Narration is loud. Technical departments: Music by Sajid – Wajid is mediocre. Cinematography is just ok. Dialogues are clichéd. Production values of the film are not up to the standards of big hero films. Analysis: When you have stars like Salman Khan, Amitabh Bachchan and Priyanka Chopra, you expect some good production values. And the director could not adapt Bruce Almighty in a good way. The entire movie is bad except for some occasional comedy moments by Salman Khan. No wonder, the producer displayed a big thank you card to Salman Khan for minutes in the title cards of the film. Salman Khan has done a big favor to the producer and the director by acting in this film. But the makers made a big disappointment of the favor Salman Khan has done to them. On a whole, God Tussi Great Ho is a huge let down.

Phoonk

Credits

Jeevi rating: 3.25/5 Punchline: less scary and more sensible Banner: One More Thought Entertainment Pvt. Ltd. Genre: Horror  Cast: Sudeep, Amruta Khanvilkar, Ahsaas Channa, Kenny Desai, Ashwini Kalsekar, Ganesh Yadav & Zakir Hussain Cinematography: Savita Singh Action: Allan Amin  writer - screenplay : Milind Gadagkar Direction: Ram Gopal Varma  Producer: Azam Khan & Parvez Damania Release date: 22 August 2008

Review

Story Rajeev (Sudeep) is a young and successful construction engineer with ambitious plans. He is an atheist. He has a religious wife and two kids. He fires a woman called Madhu (Aswini Kalsekar) and her husband for indulging in fraud. In turn she uses black magic on the little daughter of Rajeev. The rest of the story is all about how an atheist like Sudeep believes in Black magic and saves his daughter. Actors:  Sudeep is very good as an atheist. Amrutha Khanvilkar is pretty as housewife. Aswini Kalsekar is excellent as the eccentric black magic woman. Ahsaas Channa steals the show as the girl who is possessed. Zakir Hussain is superb with a scary get-up as the blind black magic specialist. Technical departments: Story - Screenplay - direction: Story of the film does deal with black magic. By balancing the story between the scientific aspect and supernatural aspect of the black magic, the director could sustain the interest among the audiences. Ram Gopal Varma never ventured out of way to create scariness by doing unnecessary scenes except for a couple of dream sequences (hero and the maid). The screenplay of the film is interesting. Direction of the film is good. And the characterizations are good. Technical departments: Ram Gopal Varma extracted the best out of his technicians. Background music is very good. Cinematography is excellent. I liked the slow camera movements and the positioning of camera in most of the scenes. Dialogues are good. Art work is fine. He made sure that the soft toys chosen for the kids are weird so that it would help in creating scary ambiance. Most of the film is shot in two locations (house and construction site). Analysis: In the beginning of his career, Ram Gopal Varma used to make horror thrillers just for the sake of scaring the audiences. He used to concentrate more on fear factor than the emotional quotient. But contrary to his earlier horror films, Ram Gopal Varma narrated this film more sensibly by not depending on unnecessary scenes in order the scare the people. Hence he mixed the thrill elements into the emotional aspect. Those people who expect lot of scariness in the film would find it little disappointing. The plus points of the film are technical aspects and sensible story telling. The negative point is the slow-paced narration. On a whole, Ram Gopal Varma's Phoonk is worth a watch if you likefilms of this genre. Phoonk,Sudeep, Amruta Khanvilkar, Ahsaas Channa, Kenny Desai, Ashwini Kalsekar, Ganesh Yadav & Zakir Hussain,horror film,bollywood film

Mohanlal, Jackie Chan get together for Akashagopuram

New Delhi, Aug 13, 2008[IBNLive]: Two times national award winning Malayalam superstar Mohanlal was in the Capital for the screening of his forthcoming film Akashagopuram. 
  
Directed by P Kumaran, the film released on August 22. 
  
Based on a play titled, The Master Builder, originally written by Norwegian playwright Henrik Ibsen back in 1892, the Malayalam film focuses on the life of an ambitious English architect Albert Samson, played by Mohanlal. 
  
“This architect is a representation of a human, who has all the qualities love, greed and passion. He doesn’t want anyone to overcome him and he fears that someone might take his place,” says Mohanlal.
  
Apart from playing an English architect, Mohanlal’s other international connection is a Japanese film on the life of legendary freedom fighter Nair San, also titled as Nair San, where he would be sharing screen space with Jackie Chan. 
  
“You can call this as a challenge because I had to learn both Japanese and Chinese for the movie as I will also dub for the movie. It is a story of a Japanese freedom fighter of Tamil origin. I can’t speak much on it,” says Mohanlal. 
  
So will Mohanlal be doing some Jackie Chan style stunts in the movie, is a question that many would ask. 
  
“Yes, but not with Jackie Chan. He will come and save me,” says Mohanlal. 
  

Akashagopuram

Synopsis
AkashaGopuram is an adaptation of the Henrik Ibsen classic Master Builder.A film in Malayalam by renowned Indian film maker K P KUMARAN,AkashaGopuram is set in London among the Indian immigrant communityand tells the story of ALBERT SAMSON (MohanLal), a middle-aged architectwho has who has clawed his way to prominence.His single-minded focus on his job, however, has hardened him andprevented him and his wife ALICE (Swetha Menon) from having a meaningfulprivate life. The costs of Samson's ambition are also symbolized in hisassistant, ABRAHIM THOMAS (Bharat Gopi), Samson's former employer whomhe "scalped" to reach the top. Thomas, now dying, wants his son ALEX (ManojK Jayan) to have more independence in the firm. Samson, however, fears thathe will be eclipsed by a younger generation of architects, and refuses to allowAlex either to design original houses or to leave the firm and strike out on hisown.Into this tension comes HILDA VARGHESE (Nithya), a vivacious young womanwho has idolized Samson since ten years before, when, in the early stages ofhis career, he had built a large church in her hometown and climbed to thetop of its tower during its dedication ceremony. While in town, Samson hadpromised Hilda, then a girl of twelve, "a kingdom"; now, Hilda says earnestly,she has come to collect her kingdom.As Samson struggles with the destructive consequences of his monomanicalpursuit and his growing fear that he has lost his creative powers, themysterious Hilda helps him gain a glimpse of his former robust self.Known for his deep commitment to female empowerment through his films, KP Kumaran in AkashaGopuram paints an intriguing portrait of one man’sconsuming desire for success.
WALLPAPERS


Cast
Mohan Lal
Bharat Gopi
Sreenivasan
Manoj K K Ayan
Geethu Mohandas
Swetha Menon
Introducing Nithya
Crew
Script Department
Script, Screenplay & Dialogue Writer: K P Kumaran
Producers UnitProducer: Manu Kumaran
Associate Producer / Co Producer: Dinesh Panicker
Directors UnitDirector: K P KumaranFirst
Asst Director – India: Girish Kumar
First Asst Director – UK: Ajith Kumar
Second Asst Director: Thomas Sabastian
Third Asst Director: Aji Kumar, Abhijeet Gogne
Choreographer: Sandeep SoparrkarAsst
Choreographer: Anjali MehtaSound Department
Sound Designer: Mr. SajiSound Recordist: Krishna Kumar
Boom Operator & Nagara Operator: SubramaniamEditing DepartmentEditor: Ajith KumarAsst Editor: Ankur Tiwari, Sagar Deep KohliMusic DepartmentMusic Composer: John Altman (Xlantic Music Limited)
STILLS

The Master Director

K P KUMARAN has been at the vanguard of the parallel cinema movementand his films reflect his deep commitment to female empowerment. All hisfilms from the landmark Athithi (1974) to the National award winning Rugmini(1988) and Thotram, recipient of Suvarna Chakoram Award for Writing at theInternational Film Festival Of Kerala 2001 have female protagonists at thecore of the film.His first independent venture – the100 second Rock won the coveted goldmedal at ASIA 72 Film Festival. Athithi his first feature film as director basedon the breaking free of a strong woman from her indecisive and weakhusband to chart her own destiny has often been described by critics as onethe best films ever made in Malayalam.Several films followed, all based on social issues that impact the lives ofwomen. His film Rugmini based on Kamala Das’s famed short story Cages onthe life of a child prostitute won several awards all over.Thotram was an attempt at capturing the incomparable lyricism and lucidityof a primordial dialect in narrating an ancient tribal drama in thecontemporary idiom. The film is the story of a strong willed young womanwho resists tyranny and her martyrdom gives her a halo of being a deityamongst the tribal people. A poem never written, passed through generationsby word of mouth forms the plot of the film.An outspoken critic of the entrenched social biases; Kumaran made his markwith his fiery plays on social evils as part of the organized literary movementof Kerala in the sixties.His new film, AkashaGopuram starring Mohanlal, Sreenivasan and late BharatGopi is an adaptation of the Henrik Ibsen classic Master Builder.“What attracted me to the play was the intriguing psychological insights intohuman nature as well as the experiences of the characters in situations ofconflict. That lifts the play from the level of the mundane,” says Kumaran.According to Kumaran, Malayalam literature and Malayalis have a specialrelation with Ibsen.

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